The book describes Albee's life as the adopted child of rich, unloving parents and covers the highs and lows of his career. A core myth of Albee's life, perpetuated by the playwright, is that The Zoo Story was his first play, written as a thirtieth birthday present to himself. As Gussow relates, Albee has been writing since adolescence, and through close analysis the author traces the genesis of Who's Afraid of Virginia Woolf?, Tiny Alice, A Delicate Balance, and other plays. After his early triumphs, Albee endured years of critical neglect and public disfavor. Overcoming artistic and personal difficulties, he returned in 1994 with Three Tall Women. In this prizewinning play he came to terms with the towering figure of his mother, the woman who dominated so much of his early life.

With frankness and critical acumen, and drawing on extensive conversations with the playwright, Gussow offers fresh insights into Albee's life. At the same time he provides vivid portraits of Albee's relationships with the people who have been closest to him, including William Flanagan (his first mentor), Thornton Wilder, Richard Barr, John Steinbeck, Alan Schneider, John Gielgud, and his leading ladies, Uta Hagen, Colleen Dewhurst, Irene Worth, Myra Carter, Elaine Stritch, Marian Seldes, and Maggie Smith. And then there are, most famously, Elizabeth Taylor and Richard Burton, who starred in Mike Nichols's acclaimed film version of Who's Afraid of Virginia Woolf? The book places Albee in context as a playwright who inspired writers as diverse as John Guare and Sam Shepard, and as a teacher and champion of human rights.

Edward Albee: A Singular Journey is rich with colorful details about this uniquely American life. It also contains previously unpublished photographs and letters from and to Albee. It is the essential book about one of the major artists of the American theater.

Amazon.com Review
With his off-Broadway success The Zoo Story in 1960 and the Broadway smash Who's Afraid of Virginia Woolf? in 1962, Edward Albee announced himself as his generation's great American playwright. He had an unhappy childhood as the adopted son of wealthy suburbanites with no interest in his feelings or talents, and later immersed himself in the flourishing (but still closeted) New York gay scene of the 1950s. These seminal experiences gave Albee a sardonic, essentially bleak view of human relations that suited the questioning spirit of the '60s, as did his plays' absurdist tone and often experimental techniques. Alcoholism and bad reviews plagued him through much of the 1970s and '80s, but he emerged triumphant and sober in 1994 with the play Three Tall Women, which marked his mature understanding of his mother's life and won him a third Pulitzer Prize. Mel Gussow observed much of this personal and professional journey as a theater critic and an acquaintance; his book is a traditional biography based on research and interviews--with colleagues and friends as well as Albee himself--that also judiciously uses the author's firsthand experiences. (A section about the playwright's drunken rudeness at a dinner party and subsequent apologetic letter to Gussow is particularly revealing.) Gussow limns his subject's life with candor, but without prurience, and lucidly conveys Albee's importance in the American theater. --Wendy Smith