Conrad and Joanna Harrison, a young couple from Los Angeles, attempt to save their marriage by leaving the pressures of the city to start anew in a quiet, rural setting.  They buy a Victorian mansion that once served as a haven for unwed mothers, called a birthing house.  One day when Joanna is away, the previous owner visits Conrad to bequeath a vital piece of the house’s historic heritage, a photo album that he claims “belongs to the house.”  Thumbing through the old, sepia-colored photographs of midwives and fearful, unhappily pregnant girls in their starched, nineteenth-century dresses, Conrad is suddenly chilled to the bone: staring back at him with a countenance of hatred and rage is the image of his own wife….

Thus begins a story of possession, sexual obsession, and, ultimately, murder, as a centuries-old crime is reenacted in the present, turning Conrad and Joanna’s American dream into a relentless nightmare.