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Product Description
A literary event: the letters, both private and professional, of Dashiell Hammett, creator of Sam Spade and father of the hardboiled crime novel. . In his five great crime novels, all of them written in a magnificent burst of creativity between 1927 and 1935, Dashiell Hammett gave America a cast of immortal characters-Sam Spade, the Continental Op, and Nick and Nora Charles, mold-breaking, red-blooded alternatives to Sherlock Holmes and Lord Peter Wimsey. In the words of Raymond Chandler, Hammett "gave murder back to the kind of people who commit it for reasons, not just to provide a corpse; and with the means at hand, not with hand-wrought dueling pistols. " A popular writer from the start, he aspired to a higher goal. As he was working on his classic The Maltese Falcon, he wrote a letter to his publisher about the potential of the detective-story form: "Someday somebody's going to make 'literature' out of it...and I'm selfish enough to have my hopes. "Though Hammett's work is admired by millions, the man himself has always been an enigma. Now, at last, comes a volume of his letters, revealing not only the private man but also the hard-working-and hard-living-professional. Yes, he was part cynical tough guy, like Sam Spade; he was part sophisticated inebriate, like Nick Charles. But the character of Dashiell Hammett was too complex to be easily categorized. His letters to his family, lovers, and colleagues show his personal warmth, his political commitment, his wide-ranging intellectual curiosity. With wit, intelligence, and style, these letters further confirm Hammett's extraordinary talent as writer and observer.
Amazon.com Review
Penzler Pick, April 2001: What seems a long overdue volume is finally making its appearance. (After all, The Selected Letters of Raymond Chandler was published 20 years ago.) Here, in more than 600 pages crammed with important as well as intimate letters, is a view into the mind of the most important American mystery writer of the 20th century. While I don't believe Hammett could carry Chandler's pen when it came to literary excellence, it's fair to say that Chandler couldn't have published much had Hammett not made the private eye novel both popular and acceptable in the world of American letters.
While I don't recommend starting at the beginning and reading straight through to the end, you can dip into virtually any letter and find an interesting sentence, a fresh way of looking at something seemingly familiar, or learn something you didn't know about Hammett and the people he knew. Take, for example, this brief note to his publisher, Alfred Knopf, in October 1934. The Thin Man had been published in January of that year and was by far Hammett's most successful book. Knopf wanted to capitalize on that success and attempted to get a sixth novel out of his author. Hammett wrote back: "Dear Alfred--So I'm a bum--so what's done of the book looks terrible--so I'm out here (Beverly Hills) drowning my shame in M-G-M money for 10 weeks." And isn't this interesting? Hammett was stationed in Alaska during World War II and had an active correspondence with Lillian Hellman but also with Prudence Whitfield, the wife of Raoul Whitfield, a fellow Black Mask writer and one of Hammett's closest friends. So Hammett writes to Hellman on May 6, then again on June 3, saying "I know I'm a lowdown bastard not to have written you in all this time..." Well, he was probably right. In the interim, he'd written to Prudence, signing off with "Good night, darling, and much love..." Is there anyone out there who doesn't believe there may have been a bit of hanky-panky with his best friend's wife while darling Lillie remained sublimely unaware? There's so much more here I could quote for pages. Nice letters to his daughters, Josephine (who wrote an introduction to this book) and Mary; correspondence with other famous writers, his publisher, the editor of Black Mask, etc. There is also a splendid editing job by Richard Layman, probably the country's leading authority on Hammett. His expertise as Hammett's biographer and bibliographer has made his footnotes useful in putting into context the references that may be obscure to some readers. Here is a book worthy to stand right next to The Maltese Falcon, The Glass Key, Red Harvest,The Dain Curse, and The Thin Man on your bookshelf. --Otto Penzler
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