Amazon.com Review
Entrapment is a recurring theme in the art of Thomas Moran. His first novel, The Man in the Box, concerns a Jew hiding from Nazis in a secret, boxlike room in an Austrian farmer's barn. His next, The World I Made for Her, features a protagonist imprisoned within his own disease-ravaged body. In Water, Carry Me, Moran expands beyond physical constraints to explore the greatest trap of all: love. When we first meet Una Moss, she is in her final year of medical school in Ireland. Orphaned at the age of 8, she has grown up uneasily straddling two worlds: that of her working-class grandfather, Rawney, with whom she lives in a village outside of Cork, and the upper-class milieu of private school and moneyed friends. Early in the novel Moran hints at the political themes that will soon enmesh her: Rawney, a railroad engineer, frequently carries mysterious crates "all the way to Sligo, up near the Ulster border," and boasts of his "dangerous friends." In reality, though, his friends are more endangered than dangerous: Mungo, the fisherman who occasionally brings strange packages ashore in his boat, is the victim of a mysterious shipwreck; Des and Mick, who help load the contraband, are both picked up by the police, only to reappear weeks later with "a hole in their lives, an awful, secret space, a haunting."

Indeed everyone in Moran's novel is haunted in some way by the conflict in Northern Ireland. Una herself was orphaned because of her father's involvement with one side or the other:

The violence is like a virus moving invisibly through our blood, the IRA and the Ulster Defense Association the Typhoid Marys of it. It kills some, and deadens the hearts of the rest of us. Nobody but idiots--and the mad fanatics--are immune.