Dead Man Switch is the first book in the Billie Walker Mystery series by award-winning Australian/Canadian author, Tara Moss. It’s 1946 in Sydney, and the climate favours returned servicemen in jobs while the women who filled those roles during the war are relegated to domestic duties. Formerly a war journalist, Billie Walker’s current profession is already seen as a masculine one, so she’s going emphatically against the grain by running her deceased father’s private inquiry business.

But there’s a call for female investigative agents: obtaining evidence to allow wives to divorce errant husbands makes up the majority of her work, but Mrs Netanya Brown has come about her missing seventeen-year-old son, Adin. “A good boy”, she insists. Billie intuitively knows there’s something not being said, but a near empty work agenda means she can hardly be choosy. She takes the case.

Meanwhile, her confidential informant asks her to look into the welfare of four young women from her mob who have been assigned to work for a man in the lower Blue Mountains. And just why is Vincenzo Moretti, a PI with a grudge against the late Barry Walker, watching her flat?

Moss gives the reader a fast-paced plot filled with intrigue, some nasty villains and a heart-thumping climax. With mentions of fashion, petrol rationing, disfigured veterans, social attitudes and the scarcity of certain commodities, Moss easily evokes the era and ambience of immediate post-war Sydney.

Billie is feisty and determined, and manages to hold her own, although she does end up ruining several frocks and quite a lot of (difficult to come by) stockings. Luckily, she’s a dab hand with a sewing machine as well as a lockpick and her little Colt 908.

Moss gives Billie a marvellous support cast, with a hint of sexual tension between Billie and two of the male characters and occasional moments of dark humour. Some background matters remain unresolved, no doubt to be addressed in later books. Certainly, more of this excellent post-war Aussie noir series will be most welcome.
This unbiased review is from an uncorrected proof copy provided by Better Reading Preview and Harper Collins Australia.




Marianne (Australia) (2019/09/21):
5 stars
“’He looks a lot more like a body rolled in a rug than I was hoping.’ Ella observed quietly as she and Alma inspected their handiwork. ‘Let's hope we don't run into any neighbours or the next tenant meeting will be hell.’”

Dead Man Switch is the first book in the Billie Walker Mystery series by award-winning Australian/Canadian author, Tara Moss. It’s 1946 in Sydney, and the climate favours returned servicemen in jobs while the women who filled those roles during the war are relegated to domestic duties. Formerly a war journalist, Billie Walker’s current profession is already seen as a masculine one, so she’s going emphatically against the grain by running her deceased father’s private inquiry business.

But there’s a call for female investigative agents: obtaining evidence to allow wives to divorce errant husbands makes up the majority of her work, but Mrs Netanya Brown has come about her missing seventeen-year-old son, Adin. “A good boy”, she insists. Billie intuitively knows there’s something not being said, but a near empty work agenda means she can hardly be choosy. She takes the case.

Meanwhile, her confidential informant asks her to look into the welfare of four young women from her mob who have been assigned to work for a man in the lower Blue Mountains. And just why is Vincenzo Moretti, a PI with a grudge against the late Barry Walker, watching her flat?

Moss gives the reader a fast-paced plot filled with intrigue, some nasty villains and a heart-thumping climax. With mentions of fashion, petrol rationing, disfigured veterans, social attitudes and the scarcity of certain commodities, Moss easily evokes the era and ambience of immediate post-war Sydney.

Billie is feisty and determined, and manages to hold her own, although she does end up ruining several frocks and quite a lot of (difficult to come by) stockings. Luckily, she’s a dab hand with a sewing machine as well as a lockpick and her little Colt 908.

Moss gives Billie a marvellous support cast, with a hint of sexual tension between Billie and two of the male characters and occasional moments of dark humour. Some background matters remain unresolved, no doubt to be addressed in later books. Certainly, more of this excellent post-war Aussie noir series will be most welcome.
This unbiased review is from an uncorrected proof copy provided by Better Reading Preview and Harper Collins Australia.