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| Books LLC : Avant-Garde Clarinetists: Theo Jörgensmann, Perry Robinson, David Murray, Joe Maneri, Don Byron, Michael Moore, James Carter, Louis Sclavis | |
| Author: |
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Books LLC
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| Title: |
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Avant-Garde Clarinetists: Theo Jörgensmann, Perry Robinson, David Murray, Joe Maneri, Don Byron, Michael Moore, James Carter, Louis Sclavis |
| Moochable copies: |
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No copies available |
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| Published in: |
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English |
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Paperback |
| Pages: |
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54 |
| Date: |
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2010-05-03 |
| ISBN: |
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1155321049 |
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Books LLC |
| Weight: |
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0.2 pounds |
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5.98 x 9.02 x 0.12 inches |
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| Description: |
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Product Description
Purchase includes free access to book updates online and a free trial membership in the publisher's book club where you can select from more than a million books without charge. Chapters: Theo Jörgensmann, Perry Robinson, David Murray, Joe Maneri, Don Byron, Michael Moore, James Carter, Louis Sclavis, Rudi Mahall, J. D. Parran, Ned Rothenberg, Ernst Ulrich Deuker, Kai Fagaschinski, Alvin Batiste. Excerpt: Alvin Batiste (November 7, 1932 May 6, 2007) was an avant garde jazz clarinetist born in New Orleans , Louisiana . He taught at his own jazz institute at Southern University in Baton Rouge . He recorded with Cannonball Adderley on The Black Messiah (1972) and Music You All (1976). His most recent CD is with Branford Marsalis and other notable jazz musicians. Several well-known musicians studied under Batiste while at Southern University. They include Marsalis, Randy Jackson ( American Idol ), his brother Herman, Donald Harrison , Henry Butler , Charlie Singleton (Cameo), and Woodie Douglas (Spirit). References (URLs online) Websites (URLs online) A hyperlinked version of this chapter is at David Murray David Murray (born February 19, 1955, Oakland , California , United States ) is an American jazz musician. Murray plays mainly tenor saxophone and sometimes bass clarinet . He has recorded prolifically for many record labels since the mid-1970s. Biography Murray was initially influenced by free jazz musicians such as Albert Ayler and Archie Shepp . He gradually evolved a more diverse style in his playing and compositions. Murray set himself apart from most tenor players of his generation by not taking John Coltrane as his model, choosing instead to incorporate elements of mainstream players Coleman Hawkins , Ben Webster and Paul Gonsalves into his mature style. Despite this, he recorded a tribute to Coltrane, Octet Plays Trane , in 1999. His 1996 tribute to the Grateful Dead , Dark Star , was also critically well received. Murray was a founding member of the Worl...
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http://bookmooch.com/1155321049 |
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