From the award-winning master of literary crime fiction, a classic work rich in tense drama and psychological insight.
On the East Anglian seacoast, a small theological college hangs precariously on an eroding shoreline and an equally precarious future. When the body of a student is found buried in the sand, the boy’s influential father demands that Scotland Yard investigate. Enter Adam Dalgliesh, a detective who loves poetry, a man who has known loss and discovery. The son of a parson, and having spent many happy boyhood summers at the school, Dalgliesh is the perfect candidate to look for the truth in this remote, rarified community of the faithful–and the frightened. And when one death leads to another, Dalgliesh finds himself steeped in a world of good and evil, of stifled passions and hidden pasts, where someone has cause not just to commit one crime but to begin an unholy order of murder. . . .
“Gracefully sculpted prose and [a] superbly executed mystery . . . Death in Holy Orders is among [James’s] most remarkable and accomplished Dalgliesh novels.”
–The Philadelphia Inquirer
“An elegant work about hope, death, and the alternately redemptive and destructive nature of love.”
–The Miami Herald
“Absorbing . . . [James’s] plotting and characterization [are] impeccable.”
“P. D. James is in top form.”
–The Boston Globe
Open the exclusive dossier at the back of this book, featuring P. D. James’ essay on penning the perfect detective novel.
Despite challenges from Ruth Rendell and (more recently) Minette Walters, P.D. James's position as Britain's Queen of Crime remains largely unassailable. Although a certain reaction has set in to her reputation (and there are those who claim her poetry-loving copper Adam Dalgliesh doesn't correspond to any of his counterparts in the real world), her detractors can scarcely deny her astonishing literary gifts. More than any other writer, she has elevated the detective story into the realms of literature, with the psychology of the characters treated in the most complex and authoritative fashion. Her plots, too, are full of intriguing detail and studed with brilliantly observed character studies. Who cares if Dalgliesh belongs more in the pages of a book than poking around a graffiti-scrawled council estate? As a policeman, he is considerably more plausible than Doyle's Holmes, and that's never stopped us loving the Baker Street sleuth. Death in Holy Orders represents something of a challenge from James to her critics, taking on all the contentious elements and rigorously reinvigorating them. She had admitted that she was finding it increasingly difficult to find new plots for Dalgliesh, and the locale here (a theological college on a lonely stretch of the East Anglian coast) turns out to be an inspired choice. We're presented with the enclosed setting so beloved of golden age detective writers, and James is able to incorporate her theological interests seamlessly into the plot (but never in any doctrinaire way; the nonbeliever is never uncomfortable). The body of a student at the college is found on the shore, suffocated by a fall of sand. Dalgliesh is called upon to reexamine the verdict of accidental death (which the student's father would not accept). Having visited the College of St. Anselm in his boyhood, he finds the investigation has a strong nostalgic aspect for him. But that is soon overtaken by the realization that he has encountered the most horrific case of his career, and another visitor to the college dies a horrible death. As an exploration of evil--and as a piece of highly distinctive crime writing--this is James at her nonpareil best. Dalgliesh, too, is rendered with new dimensions of psychological complexity. --Barry Forshaw, Amazon.co.uk