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Product Description
From the author of The Object of My Affection comes a warm and witty family drama about love and lust, trust and betrayal, commitment and denial.
Jane Cody keeps lists. After all, how else would she keep track of her life—her job producing a Boston TV show; her amiable but frankly dull second husband; and her precocious six-year-old son who “doesn't do small talk” but loves to bake. And as if that weren't enough she has an acid-tongued mother-in-law living in her barn, an arthritic malamute lodger to walk, and a dangerously seductive ex-husband on the scene. In New York, Desmond Sullivan is fretting that his five-year relationship with smart, sweet Russell is too monogamous and settled. Perhaps a spell as writer-in-residence at Deerforth College will cure that, and also allow him to finish his biography of one of the 'sixties greatest forgotten mediocrities, torch singer Pauline Anderton? When Jane and Desmond meet in Boston, they embark on a TV documentary about the elusive Anderton, which is to take them on a journey of self-discovery in which they learn as much about their own secrets and lies than they ever wanted to know.
Amazon.com Review
New York writer Desmond Sullivan doesn't believe in marriage. His five happy years with his lover Russell haven't fundamentally challenged Desmond's conviction that, at best, true love is "an acute form of tolerance." He's sexually restless, and looking forward to his four-month teaching stint in Boston as an attempt to regain some of his own identity and try to complete the biography he's been writing. Jane Cody, a Boston public television producer, is similarly disenchanted with her marriage to a clumsy, kindly professor of English. Lately, Jane has been meeting her ex-husband Dale for drinks and coffee, although she's well aware that he's a jerk. With so much going wrong in her life, it strikes Jane that she and Desmond could collaborate on a series of documentaries, salvaging both of their foundering work lives. A page-turner, not by virtue of its plot, but because of Stephen McCauley's utterly engaging narrative voice, True Enough reprises some of the themes of his earlier novel, The Object of My Affection. It also has the virtues of a good Woody Allen film: Great comic lines and brilliant social observation among a small circle of successful friends. And like so much of Allen's work, the subject is married love: Fidelity and betrayal in their many guises. A funny, well-developed novel with surprising emotional depth. --Regina Marler
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