This is Dreamland, a uniquely fierce and magical tale that delivers both a sweeping chronicle of America at the turn of the century and an intimate, heart-wrenching portrait of the lives of its denizens. Among the thousands of immigrants who arrive in New York harbor is an Eastern European stowaway called Kid Twist, who soon earns his keep as an enforcer for the ruthless gangster Gyp the Blood. Soon though, Kid brutally splits with Gyp, leaving him bleeding from a shovel wound to the head in a rancid basement on the Lower East Side. His life now in jeopardy, Kid flees to Brooklyn, finding asylum with a Coney Island carny known as Trick the Dwarf.

While hiding out, Kid meets young Esther Abramowitz, a shirtwaist seamstress who labors under inhumane conditions. As their love affair blossoms, Esther emerges from quiet shop worker to foot soldier in the burgeoning labor movement. Changed by love, Kid, too, is no longer the ruthless scavenger he once was, as he prepares for an electrifying showdown with the vengeful Gyp the Blood.

Kevin Baker's deftly imagined blend of meticulous historical research and assured narrative invention recreates a world bursting at the seams, a world of freak shows, cataclysmic exhibitions, mad dwarves, and bathing beauties. In prose that is at once ferocious and breathtakingly lyrical, Dreamland weaves a richly layered tapestry that captures perfectly the emotional and psychological essence of the American experience at the dawn of a new age.

Amazon.com Review
Kevin Baker's Dreamland is the kind of novel that begins with a two-page list of characters and ends with a nine-page glossary. In between, this vast, sprawling carnival of a book takes in Coney Island and the Lower East Side, midgets and gangsters, Bowery bars and opium dens, even Sigmund Freud and Carl Jung. It is, in short, a novel as big, lively, and ambitious as Gotham itself, and if you can stomach some of the more garish local color, it's every bit as much fun. Set at the turn of the century, in a New York as polyglot as any city on earth, Dreamland opens with an act of misplaced--and very stupid--compassion. Eastern European immigrant Kid Twist intervenes when villainous gangster Gyp the Blood is on the verge of murdering a young newsboy for sport. But surprise: that's no street urchin--that's Trick the Dwarf, self-proclaimed Mayor of Little City and a Coney Island tout, who dresses up as a boy, he says, as "a way I had of leaving myself behind." Trick hides Kid Twist in the hind parts of the Tin Elephant Hotel; Kid Twist meets Esther Abramowitz, impoverished seamstress and labor agitator, then falls in love; Trick woos Mad Carlotta, a three-foot beauty who thinks she's the Empress of Mexico; and Freud and Jung sail for America, where they squabble about psychoanalysis. There are also a few subplots involving police corruption, Tammany Hall, and the Triangle Shirtwaist Fire--but who's counting? Suffice to say that it all really does come together in the end, and you won't be bored for one step of the way. Baker served as chief historical researcher for Harold Evans's The American Century, and it's clear that he put his time there to good use; Dreamland is full of vivid historical detail, from Lower East Side slang to the lyrics of popular songs. If this is middlebrow entertainment, it's middlebrow in the same way as Dickens: extravagantly plotted, elegantly written, and compassionate to the core. --Mary Park