Characters refusing to talk? Plot plodding along? Where do good ideas come from anyway? In this wonderfully practical volume, two-time Edgar Award-winning novelist Lawrence Block takes an inside look at writing as a craft and as a career.

From studying the market, to mastering self-discipline and "creative procrastination," through coping with rejections, Telling Lies for Fun & Profit is an invaluable sourcebook of information. It is a must read for anyone serious about writing or understanding how the process works.

Amazon.com Review
It's a good thing Lawrence Block is so friendly and generous with his writing advice. Otherwise, you'd just have to hate the guy. After all, it took him a mere two weeks to write his first novel. He was still a teenager at the time, and he promptly sold it to Fawcett, the first publisher to see it. What can a guy like that tell the rest of us about fiction writing that could possibly apply to our lives? Lots, actually. Telling Lies for Fun & Profit comprises four years' worth of Block's monthly fiction-writing column from Writer's Digest magazine. In it, Block turns his witty, welcoming prose to many aspects of the writing life, including collaboration, which Block maintains he does "largely as a means of avoiding work"; speed writing (surprise: "Sometimes a book or story will be better for having been written more rapidly"); the benefits of using strong verbs; and the importance of good character names.

As one might expect from a man who seems to have such a facile way with the typewriter, Block can make writing seem a lot easier than it does in real life. "If you write one page a day," he says, "you will produce a substantial novel in a year.... Don't you figure you could produce one measly little page, even on a bad day? Even on a rotten day?"

Still, just because he's published about, oh, 50 books, don't think Block considers novel writing to be all fun and profit. "Those of us who are driven to produce great quantities of manuscript don't necessarily get any real pleasure out of the act," he says. "It's just that we feel worse when we don't write." --Jane Steinberg