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Product Description
The epic four-volume cycle that began with Larry McMurty's Pulitzer Prize-winning masterpiece, Lonesome Dove, is completed with this brilliant and haunting novel - a capstone in a mighty tradition of storytelling.
Texas Rangers August McCrae and Woodrow F. Call, now in their middle years, are just beginning to deal with the enigmas of the adult heart - Gus with his great love, Clara Forsythe; and Call with Maggie Tilton, the young whore who loves him. Two proud but very different men, they enlist with a Ranger troop in pursuit of Buffalo Hump, the great Comanche war chief; Kicking Wolf, the celebrated Comanche horse thief; and a deadly Mexican bandit king with a penchant for torture.
Comanche Moon joins the twenty-year time line between Dead Man's Walk and Lonesome Dove, following beloved heroes Gus and Call and their comrades-in-arms - Deets, Jake Spoon, and Pea Eye Parker - in their bitter struggle to protect an advancing Western frontier against the defiant Comanches, courageously determined to defend their territory and their way of life.
At once vividly imagined and unflinchingly realistic, Comanche Moon is a sweeping, heroic adventure full of tragedy, cruelty, courage, honor and betrayal - and the culmination of Larry McMurty's peerless vision of the American West.
Amazon.com Review
In a book that serves as a both a sequel to Dead Man's Walk and a prequel to the beloved Lonesome Dove, McMurtry fills in the missing chapters in the Call and McCrae saga. It is a fantastic read, in many ways the best and gutsiest of the series. We join the Texas Rangers in their waning Indian-fighting years. The Comanches, after one last desperate raid led by the fearsome-but-aging Buffalo Hump, are almost defeated, though Buffalo Hump's son, Blue Duck, still terrorizes the relentless flow of settlers and lawmen. As Augustus and Woodrow follow one-eyed, tobacco-spitting Captain Inish Scull deep into a murderous madman's den in Mexico, their thoughts turn toward the end of their careers and the women they love in remarkably different ways back in Austin. What's amazing about McMurtry's West is that he sees beyond the romance. Neither his Indians, his cowboys, his gunslingers, nor his women act the way they did in either Zane Grey novels or John Wayne movies. Incredible beauty and lightning-quick violence are the bookends of his West, but it is the in-between moments of suffering and boredom where McMurtry shines. The suffering is poignant and heart-rending; the boredom tempered with doses of Augustus McCrae's sharp humor. Don't be surprised if you find yourself crying and laughing on the same page.
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