Dean Koontz on Frankenstein: Lost Souls
When it comes to predicting the future, I am Nostradamus's idiot great nephew. In the 1980s, I believed that by 2010, we would all be traveling regularly to no-sales-tax shopping malls on the moon and zipping over to Mars for a Frappuccino. I thought we would be enjoying genetically engineered house pets like cadogs (half cat, half dog, all affection), miniature eaglebbits (flying rabbits), dry chihuahuas (little dogs that never need to pee), crocodobers (highly effective home guard dogs), and spongerbils (sponge gerbils that not only can be cuddled but will mop your floors and wring one another out in a bucket of water).
I also predicted that by now we would be flying everywhere with personal jet packs, and carrying clever autofloss machines to strip the bugs out of our teeth in thirty seconds flat after landing. Back in 1980, I predicted that by now John Belushi would be president, but I don't count this one a complete miss, because Al Franken is a United States Senator, which I admit surprises me considering that Mr. Franken isn't nearly funny enough to hold high office.
When I finished the third Frankenstein novel, Dead and Alive, I foresaw that it was the end of the series. As it turns out, I was as right about this as I was about my prediction that the annual Academy Awards TV special would be hosted five years running by Muammar Gaddafi.
My original trilogy brought to an end a story cycle, but the themes of Shelley's novel are more timely by the month. I realized that I could do much more with the concept than I had done thus far. Furthermore, an entirely new kind of technology of creature-creation occurred to me, and it was a lot more terrifying than the messy-gooey, strictly biological New Race that Victor developed in the first trilogy. By moving the setting from New Orleans to Rainbow Falls, Montana, I was able, as well, to change the atmosphere and to have fun with Armageddon occurring in snow-and-cowboy country.
As always, if readers hadn't been so enthusiastic about these books, I wouldn't have been able to proceed with the series. I appreciate your support more than I can say. I've received a lot of mail from readers who said they didn't read these novels for the longest time because the whole Frankenstein thing turned them off, but when they finally tried them, they discovered these weren't at all like what they expected, and they loved them. I always try not to give you the same old same old. Lost Souls has the flavor of my first three Frankenstein titles, but otherwise it does not clump over familiar territory. This time, Victor is much scarier and smarter than his predecessor, and his war against humanity is a blitzkrieg that comes on like a storm.
Lost Souls, like the books after it, is self-contained even though it is a part of a larger narrative. You can plunge into it and, if you like it, then go back to Prodigal Son, City of Night, and Dead and Alive if you wish. I am currently working on The Dead Town, recounting the next phase of the war against humanity, and I suppose it might sound a little strange to say I'm having a good time chronicling our doom.
#1 New York Times bestselling author Dean Koontz raises the stakes—and the suspense—taking his Frankenstein saga to a dynamic new level with the riveting story of a small town under siege, where good and evil, destruction and creation, converge as the fate of the world hangs in the balance.
FRANKENSTEIN: LOST SOULS
The war against humanity has begun. In the dead hours of the night, a stranger enters the home of the mayor of Rainbow Falls, Montana. The stranger is in the vanguard of a wave of intruders who will invade other homes . . . offices . . . every local institution, assuming the identities and the lives of those they have been engineered to replace. Before the sun rises, the town will be under full assault, the opening objective in the new Victor Frankenstein’s trajectory of ultimate destruction. Deucalion—Victor’s first, haunted creation—saw his maker die in New Orleans two years earlier. Yet an unshakable intuition tells him that Victor lives—and is at work again. Within hours Deucalion will come together with his old allies, detectives Carson O’Connor and Michael Maddison, Victor’s engineered wife, Erika Five, and her companion Jocko to confront new peril. Others will gather around them. But this time Victor has a mysterious, powerful new backer, and he and his army are more formidable, their means and intentions infinitely more deadly, than ever before.