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Product Description
The Backstory series of unique "oral histories" chronicles the lives and careers of notable Hollywood screenwriters--in their own words. Backstory: Interviews with Screenwriters of Hollywood's Golden Age focused on the early sound era and the 1930s. Backstory 2 featured Interviews with Screenwriters of the 1940s and 1950s. Backstory 3 takes up the history of American screenwriting in the 1960s, through the experiences of fourteen key scenarists. These lively interviews, conducted by Pat McGilligan and others, feature Jay Presson Allen, George Axelrod, Walter Bernstein, Horton Foote, Walon Green, Charles B. Griffith, John Michael Hayes, Ring Lardner Jr., Wendell Mayes, Irving Ravetch and Harriet Frank Jr., Arnold Schulman, Stirling Silliphant, and Terry Southern.
The series has proven useful and edifying for film students, scholars, and historians, for screenwriters and other professionals, and for film buffs in general. Applauded by reviewers and named among the "100 essential film books" by a Los Angeles Times-appointed panel, it is cited often and quoted in many film histories.
Amazon.com Review
Backstory 3, a fascinating anthology of interviews with some of moviedom's best screenwriters, covers, in the words of its editor, "one of Hollywood's rockiest periods, the decade of the 1960s, when the studios were undergoing a process of collapse and renovation, when turmoil in the world meant extreme changes in narrative style and screen values, when events in Hollywood, as elsewhere, sometimes seemed a confusing, delirious stampede." One of the surprises of Backstory 3 is that many of the writers of the '60s "youth films" were middle-aged by that time, established and serious craftsmen who felt little of the contempt for movies that their screenwriting predecessors held. Through the conversation of the marvelous Jay Presson Allen, George Axelrod, Walter Bernstein, Horton Foote, Charles B. Griffith, John Michael Hayes, Ring Lardner Jr., Richard Matheson, Stirling Silliphant, Terry Southern, and others, we get a sense of the '60s as the last gasp of the old Hollywood generation, the end of the studio system, and the beginnings of modern cinema.
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