| Author: |
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Brian M. Fagan
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| Title: |
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The Little Ice Age: How Climate Made History, 1300-1850 |
| Moochable copies: |
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No copies available |
| Recommended: |
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| Topics: |
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| Published in: |
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English |
| Binding: |
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Paperback |
| Pages: |
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272 |
| Date: |
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2001-12 |
| ASIN/ISBN: |
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0465022723 |
| Publisher: |
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Basic Books |
| Weight: |
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0.57 pounds |
| Size: |
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5.28 x 7.87 x 0.79 inches |
| Previous givers: |
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3 spookky (Israel), Matt (USA: VA), Randy (USA: MI) |
| Previous moochers: |
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3 cmtdrt (USA: IN), Randy (USA: MI), Geophile (Canada) |
| Wishlists: |
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| Description: |
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"Climate change is the ignored player on the historical stage," writes archeologist Brian Fagan. But it shouldn't be, not if we know what's good for us. We can't judge what future climate change will mean unless we know something about its effects in the past: "those who do not learn from history are doomed to repeat it." And Fagan's story of the last thousand years, centered on the "Little Ice Age," reminds us of what we could end up repeating: flood, fire, and famine--acts of God exacerbated by acts of man. For all that he takes a broad--a very broad--view of European history, Fagan's writing is laced with human faces, fascinating anecdotes, and a gift for the telling detail that makes history live, very much in the style of Barbara Tuchman's A Distant Mirror. When Fagan talks about the voyages of Basque fishermen to American shores (probably landing before Columbus sailed), he puts in the taste of dried cod and the terrifying suddenness of fogs on the Grand Banks. The Great Fire of London, what it was like when the Dutch dikes broke, the Irish Potato Famine, the year without a summer, ice fairs on the Thames, and volcanoes in the South Pacific--Fagan makes history a ripping yarn in which we are all actors, on a stage that has always been changing. --Mary Ellen Curtin |
| Reviews: |
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Voracious_Reader (USA: VA) (2009/04/14): The Little Ice Age by Brian Fagan was really interesting. One of the many things he discusses is the influence of weather on art. It's almost a footnote to the book as a whole, but I found it very interesting to posit that you can measure climate changes by changes in art content, such as the number of winter scenes in certain centuries or the types of clouds that are being painted. It's very well written and though I didn't always agree with all of Fagan's conclusions, I did find it difficult to put this one down.



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| URL: |
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http://bookmooch.com/0465022723 |
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