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Product Description
Society believes the worst of Justin Alastair, the notorious Duke of Avon, who is clearly proud of his sobriquet, "Satanas." It is he who buys Leon's body and soul from a scoundrel in a Paris backstreet. The redheaded urchin has a strangely familiar look, and should play a fine part in Justin's long overdue scheme to avenge himself on the Comte de St. Vire -- until, that is, Leon becomes the ravishing beauty Leonie...
Amazon.com Review
A gentleman was strolling down a side street in Paris, on his way back from the house of one Madame de Verchoureux. He walked mincingly, for the red heels of his shoes were very high. A long purple cloak, rose-lined, hung from his shoulders and was allowed to fall carelessly back from his dress, revealing a full-skirted coat of purple satin, heavily laced with gold; a waistcoat of flowered silk; faultless small clothes; and a lavish sprinkling of jewels on his cravat and breast. The gentleman in question is Justin Alastair, the Duke of Avon, known by friends and enemies alike as Satanas--the devil. On this particular evening, the dangerous rake crosses paths with Léon, a red-headed youth of low birth who is fleeing a certain beating at his brutal brother's hands. On a whim, Avon buys the boy and makes him his page. It soon becomes clear, however, that Léon is not what he seems, and that Avon has an ulterior motive for bringing him into his household. Set in pre-Revolutionary France, These Old Shades follows a twisting course as young Léon (or is it Léonie?) is swept up in a dangerous mystery: how to account for the page's amazing resemblance to the sinister Compte de Saint Vire, for example; and why will this man go to any lengths to get the youth in his power? Georgette Heyer's historical romances tend to fall into two different camps: later novels such as Cotillion, False Colours, and Sylvester feature larger-than-life comic characters and romantic pairings more akin to Beatrice and Benedick than Hero and Claudio. Earlier works such as These Old Shades, however, tend to be darker, tinged with mystery and overshadowed by very real menace. What both types share is Heyer's fine storytelling and encyclopedic knowledge of Regency mores and manners--her books are the next best thing to a time machine. These Old Shades's greatest asset, however, is the charming Léonie: beautiful, brave, and loyal to a fault, with a fondness for swordplay and pistols and a delightfully incomplete grasp of the English language. Heyer herself was so fond of this character that she featured her in two more novels, Devil's Cub and An Infamous Army. --Alix Wilber
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