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Nancy Mitford : The Letters of Nancy Mitford and Evelyn Waugh
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Author: Nancy Mitford
Title: The Letters of Nancy Mitford and Evelyn Waugh
Moochable copies: No copies available
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Published in: English
Binding: Hardcover
Pages: 527
Date: 1997-03-26
ISBN: 0395740150
Publisher: Houghton Mifflin
Weight: 2.1 pounds
Size: 6.4 x 9.2 x 1.8 inches
Edition: First
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Description: Product Description
Nancy Mitford and Evelyn Waugh, two of the twentieth century's most gifted writers, matched wits and exchanged insults in a continuous irreverent dialogue. Their delicious letters, most never before published (for fear of speaking ill of the living), provide colorful glimpses of both lives, of an enduring but thorny friendship, and of the literary and social circles of London and Paris at midcentury. Waugh and Mitford came out of the group of London socialites known as the Bright Young Things; they both found best-selling success in the 1940s, Waugh with Brideshead Revisited, Mitford with The Pursuit of Love. In their letters they sharpened their wits at the expense of friends and enemies alike and eagerly dissected their friends, including Harold Acton, Graham Greene, the Sitwells, Duff and Diana Cooper, Randolph Churchill, and their favorite butt, Cyril Connolly. Waugh's pessimistic brand of Roman Catholicism clashed with Mitford's cheerful iconoclasm; her francophilia only fueled he


Amazon.com Review
Charlotte Mosley's careful collection of Nancy Mitford's and Evelyn Waugh's delightfully careless letters immerses one in a lost whirl. The two writers met in London in the late 1920s, but their correspondence didn't take off until mid-World War II, when it quickly became an exaggeration-fest. Mitford, for example, matches Waugh's surreal reports from Europe with one about an M.P. swelling up before his fellow politicians' eyes: "Well, it took 2 ambulances to get him away & now he lies on 4 beds with his trunk hanging out the window. Let nobody say that war time London lacks fantasy."

For the next 21 years, these gifted gossips would render the ridiculous sublime and vice versa, turning (and then only mildly) serious in discussions of reading and writing, preferring to glide over the problematic and emotional. Throughout, Mitford likes to play the euphoric, lazy pupil, Waugh the master grammarian, theologian, and meanie. The exchanges on their own works in progress--particularly on Brideshead Revisited and The Pursuit of Love--are an important addition to literary history, but the book's true exhilaration lies in Mitford and Waugh's knowing--and knowingly vile--comic timing. Irresistibly offensive.

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