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Product Description
"Brilliant. . . . A powerfully observed, stylistically elegant exploration." --The New York Times
A New York Times Notable Book of the Year
"The book's strength lies in Naipaul's extraordinary ability as a storyteller to draw striking portraits of a cross section of individuals."--The Boston Globe
Fourteen years after the publication of his landmark travel narrative Among the Believers, V. S. Naipaul returned to the four non-Arab Islamic countries he reported on so vividly at the time of Ayatollah Khomeini's triumph in Iran. Beyond Belief is the result of his five-month journey in 1995 through Indonesia, Iran, Pakistan, and Malaysia--lands where descendants of Muslim converts live at odds with indigenous traditions, and where dreams of Islamic purity clash with economic and political realities.
In extended conversations with a vast number of people--a rare survivor of the martyr brigades of the Iran-Iraq war, a young intellectual training as a Marxist guerilla in Baluchistan, an impoverished elderly couple in Teheran whose dusty Baccarat chandeliers preserve the memory of vanished wealth, and countless others--V. S. Naipaul deliberately effaces himself to let the voices of his subjects come through. Yet the result is a collection of stories that has the author's unmistakable stamp. With its incisive observation and brilliant cultural analysis, Beyond Belief is a startling and revelatory addition to the Naipaul canon.
"Highly accomplished. . . . Another display of Naipaul's remarkable talent." --The Independent (London)
Amazon.com Review
Acclaimed writer V.S. Naipaul has the eye of a novelist, the fearless curiosity of a 2-year-old, and the tenacity of a cornered badger. In Beyond Belief, he puts these three attributes to use in delving into the secrets of Islam--the other Islam, that is. Journeying into the non-Arab Islamic countries of Indonesia, Iran, Pakistan, and Malaysia, Naipaul wonders about how these young nations are absorbing a resurgent Islam into their ancient societies and where it might lead them. His exploration is at the grassroots level, through the people living and breathing Islam today. Naipaul illustrates his points with vignettes about characters he meets, by both happenstance and calculation, along the way. We learn about their histories, their families' histories, their motivations, and their dreams. The mosaic that materializes is not always appealing, for Naipaul is a sensitive but disinterested observer, more a watcher than a champion. Islam, we learn, is a font of hope for the converted peoples, sweet when taken in gulps but often bearing an acrid aftertaste. It buries traditional cultures under promising new foundations, indirectly encourages broken families through polygamy, and turns only tentatively to face the issues of modernity. From beginning to end, we find ourselves empathizing with Naipaul's subjects, seeing ourselves in their struggles with family, religion, and nation, feeling their drive to create a fresh world of virtue and prosperity. --Brian Bruya
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