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Product Description
People go missing every day. They walk out of their front doors and out of their lives into the silence of cold statistics. For those left behind it is the cruelest of long good-byes.
Anna, a self-sufficient and reliable single mother, packs her bags one day for a short vacation to Italy. She leaves her beloved six-year-old daughter, Lily, at home in London with good friends. But when Anna doesn't return, everyone begins to make excuses until the likelihood that she might not come back becomes chillingly clear. And the people who thought they knew Anna best realize they don't know her at all. How could she leave her daughter? Why doesn't she call? Is she enjoying a romantic tryst with a secret lover? Or has she been abducted or even killed by a disturbed stranger?
Did that person you loved so much and thought you knew so well did they simply choose to go and not come back? Or did someone do the choosing for them?
Dunant, a masterly British suspense writer, skillfully interweaves parallel narratives that are stretched taut with tension even as they raise difficult questions about motherhood, friendship, and accountability. In this compelling hybrid of sophisticated crime writing and modern women's fiction, Dunant challenges and unnerves us as she redefines the boundaries of the psychological thriller.
Missing rubs the soul raw. In place of answers all you have is your imagination.
Amazon.com Review
Sarah Dunant's Mapping the Edge explores the best of two worlds, offering readers a suspenseful, eerie plot and a delicately nuanced exploration of the kinds of prickly, challenging ideas that, sadly, usually lie outside the province of the traditional thriller.
When Anna decides to take an impromptu trip to Italy, she packs her bag, leaves her 6-year-old daughter, Lily, at home with close friends, and steps onto the plane. She's always been a woman of action, and her personal and professional lives have been filled to overflowing recently. So her friends Paul and Estella think nothing of the jaunt--it's a well-deserved break, a weekend for psychic refreshment, a brief step outside reality. But a disappearance? When Anna fails to return, Paul and Estella make excuses, to themselves and to Lily. When the weekend stretches toward a week, the possibility of her permanent absence becomes hauntingly real. Dunant takes that absence and weaves together a pair of possible "explanations," playing out alternating scenarios of seduction (Anna in the throes of a disturbingly passionate, illicit affair) and abduction (Anna in the grasp of a stranger whose cordiality turns gradually to madness). The narratives are both twinned and twinning, less separate alternative accounts than a dialogue, with moments, objects, and phrases that serve as uncanny mirrors between the two. Dunant is indeed a skilled mapmaker--her novel maps the edge of the self, its boundaries that so often go unquestioned. Anna's sojourn in Italy is an excavation of the threat of being defined by one's relationship to others and the temptation to redefine oneself beyond the restrictions of conventional expectation, no matter how seductive, how forceful, that convention. --Kelly Flynn
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