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Product Description
Justin Alastair, the coldhearted Duke of Avon, had revenge in mind as he plucked a flamehaired urchin off the Paris streets. For Avon suspected the truth about his delicately handsome page—that "Léon" was really Léonie and none other than the wicked Comte de Saint Vire's legitimate daughter, deprived of her heritage by the comte's dastardly desire for a male heir. The duke's plan was simple: parade Léonie in front of his enemy and have his adoring, innocent ward reclaim her birthright, destroying her true father in the process. But the duke hadn't expected Léonie's breathtaking transformation or the tender emotions she awoke—and he'd already set his dangerous scheme in motion.…
Amazon.com Review
A gentleman was strolling down a side street in Paris, on his way back from the house of one Madame de Verchoureux. He walked mincingly, for the red heels of his shoes were very high. A long purple cloak, rose-lined, hung from his shoulders and was allowed to fall carelessly back from his dress, revealing a full-skirted coat of purple satin, heavily laced with gold; a waistcoat of flowered silk; faultless small clothes; and a lavish sprinkling of jewels on his cravat and breast. The gentleman in question is Justin Alastair, the Duke of Avon, known by friends and enemies alike as Satanas--the devil. On this particular evening, the dangerous rake crosses paths with Léon, a red-headed youth of low birth who is fleeing a certain beating at his brutal brother's hands. On a whim, Avon buys the boy and makes him his page. It soon becomes clear, however, that Léon is not what he seems, and that Avon has an ulterior motive for bringing him into his household. Set in pre-Revolutionary France, These Old Shades follows a twisting course as young Léon (or is it Léonie?) is swept up in a dangerous mystery: how to account for the page's amazing resemblance to the sinister Compte de Saint Vire, for example; and why will this man go to any lengths to get the youth in his power? Georgette Heyer's historical romances tend to fall into two different camps: later novels such as Cotillion, False Colours, and Sylvester feature larger-than-life comic characters and romantic pairings more akin to Beatrice and Benedick than Hero and Claudio. Earlier works such as These Old Shades, however, tend to be darker, tinged with mystery and overshadowed by very real menace. What both types share is Heyer's fine storytelling and encyclopedic knowledge of Regency mores and manners--her books are the next best thing to a time machine. These Old Shades's greatest asset, however, is the charming Léonie: beautiful, brave, and loyal to a fault, with a fondness for swordplay and pistols and a delightfully incomplete grasp of the English language. Heyer herself was so fond of this character that she featured her in two more novels, Devil's Cub and An Infamous Army. --Alix Wilber
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