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Product Description
Even in an age of skyscrapers and sports stadiums, the cathedral of Santa Maria del Fiore in Florence, with its immense dome, retains a rare power to astonish. Yet, for more than a century after work began on the cathedral in 1296, the proposed dome was regarded as impossible to build. It became the greatest architectural puzzle of the age, and when finally complete in 1436, was hailed as one of the wonders of the world. Ross King tells the full story of how the cupola was raised, from conception to consecration. He also tells the story of the dome's architect, the brilliant and volatile Filippo Brunelleschi. His ambition, ingenuity and rivalries are set in the context of the plagues, wars and political feuds of Renaissance Florence. It is a fascinating story.
Amazon.com Review
Filippo Brunelleschi's design for the dome of the cathedral of Santa Maria del Fiore in Florence remains one of the most towering achievements of Renaissance architecture. Completed in 1436, the dome remains a remarkable feat of design and engineering. Its span of more than 140 feet exceeds St Paul's in London and St Peter's in Rome, and even outdoes the Capitol in Washington, D.C., making it the largest dome ever constructed using bricks and mortar. The story of its creation and its brilliant but "hot-tempered" creator is told in Ross King's delightful Brunelleschi's Dome.
Both dome and architect offer King plenty of rich material. The story of the dome goes back to 1296, when work began on the cathedral, but it was only in 1420, when Brunelleschi won a competition over his bitter rival Lorenzo Ghiberti to design the daunting cupola, that work began in earnest. King weaves an engrossing tale from the political intrigue, personal jealousies, dramatic setbacks, and sheer inventive brilliance that led to the paranoid Filippo, "who was so proud of his inventions and so fearful of plagiarism," finally seeing his dome completed only months before his death. King argues that it was Brunelleschi's improvised brilliance in solving the problem of suspending the enormous cupola in bricks and mortar (painstakingly detailed with precise illustrations) that led him to "succeed in performing an engineering feat whose structural daring was without parallel." He tells a compelling, informed story, ranging from discussions of the construction of the bricks, mortar, and marble that made up the dome, to its subsequent use as a scientific instrument by the Florentine astronomer Paolo Toscanelli. --Jerry Brotton, Amazon.co.uk
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