Amazon.com
This large, deluxe hardcover edition of the first title in the classic Chronicles of Narnia series, The Magician's Nephew, is a gorgeous introduction to the magical land of Narnia. The many readers who discovered C.S. Lewis's Chronicles through The Lion, the Witch, and the Wardrobe will be delighted to find that the next volume in the series is actually the first in the sequence--and a step back in time. In this unforgettable story, British schoolchildren Polly and Digory inadvertently tumble into the Wood Between the Worlds, where they meet the evil Queen Jadis and, ultimately, the great, mysterious King Aslan. We witness the birth of Narnia and discover the legendary source of all the adventures that are to follow in the seven books that comprise the series.

Rich, heavy pages, a gold-embossed cover, and Pauline Baynes's original illustrations (hand-colored by the illustrator herself 40 years later) make this special edition of a classic a bona fide treasure. (Ages 9 and older) --Emilie Coulter --This text refers to an out of print or unavailable edition of this title.

From AudioFile
Written in 1955 as a prequel to the 1950 fantasy novel THE LION, THE WITCH, AND THE WARDROBE, this title is the story of two children in Victorian England who unwittingly take part in the (re)birth of the magical land of Narnia. Kenneth Branagh's precise and enchanting reading takes the listener from the rooftops of London to the fields of Narnia, and then back to London as mad Uncle Andrew ushers an evil sorceress named Jadis to wreak havoc in our world. Lewis's storytelling is magnificent, and Branagh's performance completely and utterly engaging. S.E.S. Winner of AudioFile Earphones Award, 2002 Audie Award Finalist © AudioFile 2002, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to the Audio Cassette edition.

Book Description
The secret passage to the house next door leads to a fascinating adventure.

Card catalog description
When Digory and Polly try to return the wicked witch Jadis to her own world, the magic gets mixed up and they all land in Narnia where they witness Aslan blessing the animals with human speech. --This text refers to the Hardcover edition.

Inside Flap Copy
When Digory and Polly are tricked by Digory's peculiar Uncle Andrew into becoming part of an experiment, they set off on the adventure of a lifetime. What happens to the children when they touch Uncle Andrew's magic rings is far beyond anything even the old magician could have imagined.

Hurtled into the Wood between the Worlds, the children soon find that they can enter many worlds through the mysterious pools there. In one world they encounter the evil Queen Jadis, who wreaks havoc in the streets of London when she is accidentally brought back with them. When they finally manage to pull her out of London, unintentionally taking along Uncle Andrew and a coachman with his horse, they find themselves in what will come to be known as the land of Narnia. --This text refers to an out of print or unavailable edition of this title.

From the Back Cover
NARNIA…where the woods are thick and cool, where Talking Beasts are called to life…a new world where the adventure begins. Digory and Polly meet and become friends one cold, wet summer in London. Their lives burst into adventure when Digory's Uncle Andrew, who thinks he is a magician, sends them hurling to…somewhere else. They find their way to Narnia, newborn from the Lion's song, and encounter the evil sorceress Jadis, before they finally return home.

About the Author
C. S. Lewis (1898-1963) was one of the intellectual giants of the twentieth century and arguably the most influential Christian writer of his day. He was a Fellow and Tutor in English literature at Oxford University until 1954 when he was unanimously elected to the Chair of Medieval and Renaissance English at Cambridge University, a position he held until his retirement. His major contributions in literary criticism, children’s literature, fantasy literature, and popular theology brought him international renown and acclaim. He wrote more than thirty books, allowing him to reach a vast audience, and his works continue to attract thousands of new readers every year. His most distinguished and popular accomplishments include The Chronicles of Narnia, Out of the Silent Planet, The Four Loves, The Screwtape Letters, and Mere Christianity.

Excerpted from The Magician's Nephew (The Chronicles of Narnia, Book 1) by C. S. Lewis, Pauline Baynes, Chris Van Allsburg. Copyright © 1994. Reprinted by permission. All rights reserved

Chapter One

The Wrong Door

Polly had discovered long ago that if you opened a certain little door in the box-room attic of her house you would find the cistern and a dark place behind it which you could get into by a little careful climbing. The dark place was like a long tunnel with brick wall on one side and sloping roof on the other. In the roof there were little chunks of light between the slates. There was no floor in this tunnel: you had to step from rafter to rafter, and between them there was only plaster. If you stepped on this you would find yourself falling through the ceiling of the room below. Polly had used the bit of the tunnel just beside the cistern as a smugglers' cave. She had brought up bits of old packing cases and the seats of broken kitchen chairs, and things of that sort, and spread them across from rafter to rafter so as to make a bit of floor. Here she kept a cash-box containing various treasures, and a story she was writing and usually a few apples. She had often drunk a quiet bottle of ginger-beer in there: the old bottles made it look more like a smugglers' cave.

Digory quite liked the cave (she wouldn't let him see the story) but he was more interested in exploring.

"Look here," he said. "How long does this tunnel go on for? I mean, does it stop where your house ends?"

"No," said Polly. "The walls don't go out to the roof. It goes on. I don't know how far."

"Then we could get the length of the whole row of houses."

"So we could," said Polly. "And oh, I say!"

"What?"

"We could get into the other houses."

"Yes, and get taken up for burglars! No thanks."

"Don't be so jolly clever. I was thinking of the house beyond yours."

"What about it?"

"Why, it's the empty one. Daddy says it's always been empty since we came here."

"I suppose we ought to have a look at it then," said Digory. He was a good deal more excited than you'd have thought from the way he spoke. For of course he was thinking, just as you would have been, of all the reasons why the house might have been empty so long. So was Polly. Neither of them said the word "haunted". And both felt that once the thing had been suggested, it would be feeble not to do it.

"Shall we go and try it now?" said Digory.

"All right," said Polly.

"Don't if you'd rather not," said Digory.

"I'm game if you are," said she.

"How are we to know we're in the next house but one?"

They decided they would have to go out into the box-room and walk across it taking steps as long as the steps from one rafter to the next. That would give them an idea of how many rafters went to a room. Then they would allow about four more for the passage between the two attics in Polly's house, and then the same number for the maid's bedroom as for the box-room. That would give them the length of the house. When they had done that distance twice they would be at the end of Digory's house; any door they came to after that would let them into an attic of the empty house.

"But I don't expect it's really empty at all," said Digory.

"What do you expect?"

"I expect someone lives there in secret, only coming in and out at night, with a dark lantern. We shall probably discover a gang of desperate criminals and get a reward. It's all rot to say a house would be empty all those years unless there was some mystery."

"Daddy thought it must be the drains," said Polly.

"Pooh! Grown-ups are always thinking of uninteresting explanations," said Digory. Now that they were talking by daylight in the attic instead of by candlelight in the Smugglers' Cave it seemed much less likely that the empty house would be haunted.

When they had measured the attic they had to get a pencil and do a sum. They both got different answers to it at first, and even when they agreed I am not sure they got it right. They were in a hurry to start on the exploration.

"We mustn't make a sound," said Polly as they climbed in again behind the cistern. Because it was such an important occasion they took a candle each (Polly had a good store of them in her cave).

It was very dark and dusty and draughty and they stepped from rafter to rafter without a word except when they whispered to one another, "We're opposite your attic now", or "This must be halfway through our house". And neither of them stumbled and the candles didn't go out, and at last they came to where they could see a little door in the brick wall on their right. There was no bolt or handle on this side of it, of course, for the door had been made for getting in, not for getting out; but there was a catch (as there often is on the inside of a cupboard door) which they felt sure they would be able to turn.

"Shall I?" said Digory.

"I'm game if you are," said Polly, just as she had said before. Both felt that it was becoming very serious, but neither would draw back. Digory pushed round the catch with some difficulty. The door swung open and the sudden daylight made them blink. Then, with a great shock, they saw that they were looking, not into a deserted attic, but into a furnished room. But it seemed empty enough. It was dead silent. Polly's curiosity got the better of her. She blew out her candle and stepped out into the strange room, making no more noise than a mouse.



Kat (USA: IL) (2013/07/25):
Loved the whole series. Beautiful on the surface...and thought provoking deep within.