Someone at Stallery Mansion is changing the world. At first, only small details, but the changes get bigger and bigger. It's up to Conrad, a twelve-year-old with terrible karma who's just joined the mansion's staff, to find out who is behind it.

But he's not the only one snooping around. His fellow servant-in-training, Christopher Chant, is charming, confident, and from another world, with a mission of his own -- rescuing his friend, lost in an alternate Stallery Mansion. Can they save the day before Conrad's awful fate catches up with them?

Amazon.com Review
Devotees of The Chrestomanci Quartet and Mixed Magics will pounce on this sixth title in the series by Diana Wynne Jones, whose reputation as a fantasy writer is also enhanced by Archer’s Goon and Howl’s Moving Castle (soon to be an animated film). In this Chrestomanci tale, the nine-lived enchanter Christopher, who fans will remember from other books, appears as a dapper and self-possessed 15-year-old, and the narrator is young Conrad Tesdinic, who at the age of twelve has just finished school in the mountain village of Stallchester in the English Alps. He yearns to go on to Stall High, but his tight-fisted Uncle Alfred has other plans. With the help of magical spells and a story of bad karma, he intimidates Conrad into going off to serve on the staff at Stallery Mansion, burdened with a secret about an unknown person he must kill. Conrad makes the best of his new life, especially after he meets his elegant new roommate Christopher, who is, he explains, the heir in a different time level to the job of Chrestomanci, an enchanter appointed by the government to control the use of magic. Conrad joins him in his desperate search for his friend Millie, who has vanished from a parallel time track. Amusing scenes of life below stairs in the highly stratified servants’ quarters alternate with the boys’ strange adventures as they seek through other realities within the castle on their day off, glimpsing Millie but never able to reach her. With Wynne Jones’ characteristic skill at plotting, the finale is a whirlwind of revealed alter-identities and just desserts for villains, ending with as many satisfying romantic pairings as a Shakespeare comedy. (Ages 10-13) --Patty Campbell