Life, love, pain, fame, fear, rage, and guts.
Just what is it about Billy Connolly and four-letter words? Read the book that's breaking international sales records and find out.
Now a favorite of American audiences, Billy Connolly is the outrageous comedian whose unsurpassed comedic talent has won him countless fans. Billy, the revelatory, poignant, and wildly entertaining biography is written by the woman who knows him best -- his wife.
With insight and objectivity, Pamela Stephenson, a psychologist and Billy's wife of ten years, takes us through the heartbreaking and hilarious life of a comic legend and what made him the man he is today. The descriptions of Scottish life evoke the poignancy of the Ireland in Angela's Ashes as she tells of the troubled and desperately poor child in the docklands of Glasgow who grew up to captivate audiences around the world with his notoriously bawdy humor and a remarkable range of performances as a brilliant comic, a serious actor who played opposite Dame Judi Dench in Mrs. Brown, and the star of the U.S. television show Head of the Class.
Billy Connolly is loud, hilarious and contradictory. His biography, written by his wife, former comedian and practising psychotherapist Pamela Stephenson, is pretty much the same. Over the years Connolly has grown from Glasgow shipyard welder to folk-singing beardy hard man (yes there is such a thing) to darling of the good and great (or at least famous) around the world. That he is so many things to so many people while in no way compromising his core self can only be good. It would be no mean feat for Stephenson, then, to pen a history to that would satisfy Connolly audiences of fans and contemporaries from all periods of his life's journey. In most places, but in truth, not all, the author manages to do this well.
The first half of the biography is somewhat anthropological in tone. Not surprisingly, a post-war Glasgow upbringing is somewhat alien to the antipodean author and Stephenson errs towards Angela's Ashes intonation as she describes her husband's tenement childhood (Scots readers may also find her regular translation of seemingly self-explanatory Scots phrases--which Connolly would use--obtuse). In contrast her examination of her experience of living with the comedian and his life from that point on is much better. Anecdotes which Connolly uses in his live shows pepper the text and laughs are raised as he tells of the time he was mistaken as a drug dealer on Speyside, of his cheeky friendships with cinema's elite and even through the more difficult times; the difficulty of balancing an almost manic humour with a troubled life. Pages turn quickly as we grow to understand more of what makes the man tick.
Certainly fans of Billy Connolly will enjoy this book. It is not perfect but it is certainly entertaining and should fill a gap in the market until Billy--with his half-remembered stories and off-centre view of the world--decides to let us into his head as well as his history. There's surely one ideal way to do this and that's by writing his story himself. --Helen Lamont