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Product Description
From Doris Lessing, winner of the Nobel Prize for Literature, the sequel to one of her most celebrated novels, 'The Fifth Child'. 'The Fifth Child', Doris Lessing's 1988 novel, made a powerful impact on publication. Its account of idyllic marital and parental bliss shattered by the arrival of the feral fifth child of the Lovatts made for unnerving and compulsive reading. That child, Ben, is the central character of this sequel, which picks up the fable at the end of his childhood and takes our primal, misunderstood, maladjusted teenager out into the world. He meets mostly with mockery, fear and incomprehension, but with just enough kindness and openness to keep him afloat as his adventures take him from London to the south of France and on to South America in his restless quest for community, companionship and peace. Lessing employs a plain, unadorned prose fit for fables; again, we have a childlike perspective at the heart of the book; again, the world in all its malevolence and misapprehension swirls around at the edge, while, occasionally, a strong character steps forward to try to set a good example.
Amazon.com Review
In a 1957 short story, "The Eye of God in Paradise," Doris Lessing brought to life a disturbed and disturbing child, a "desperate, wild, suffering little creature" who bit anyone who approached him. This child haunted not only the story's protagonist but the author. She first revived him in a powerful 1988 novel, The Fifth Child, pondering this strange offspring of an otherwise idyllic middle-class family. Who, or what, was Ben? Beast, goblin, throwback, alien, or a "normal healthy fine baby"? Lessing wrestled with these questions without ever quite managing to answer them.
She takes them up again, however, in Ben, in the World. Now 18, but looking 35, Ben is estranged from his family, forced to find his way in a basically hostile world. His yeti-like appearance invariably evokes fear or amusement. And his other habits (including an appetite for raw meat) hardly allow him to blend into the crowd: He would catch and eat little animals, or a bird.... Or he stood by the cow with his arm around her neck, nuzzling his face into her; and the warmth that came into him from her, and the hot sweet blasts of her breath on his arms and legs when she turned her head to sniff at him meant the safety of kindness. Or he stood leaning on a fence post staring up at the night sky, and on clear nights he sang a little grunting song to the stars, or he danced around, lifting his feet and stamping. After three fictional encounters, Lessing knows Ben well. She constantly intervenes to direct the reader's response to him, to the people who surround him, and to his (sometimes unlikely) experiences in Europe and South America. His misery and alienation remain the focus of the novel. Yet they are offset by the odd individuals who offer Ben their friendship--and finally, by his wayward quest to find people like himself. --Vicky Lebeau
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